Becca Rothfeld
  • About
  • Selected Writing
    • Essays
    • Mostly Literary But Some Art Criticism
    • Juvenilia
  • CV
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  • GRAD SCHOOL APP ADVICE
  • About
  • Selected Writing
    • Essays
    • Mostly Literary But Some Art Criticism
    • Juvenilia
  • CV
  • Contact
  • GRAD SCHOOL APP ADVICE
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Hi, I'm Becca. I am (very soon to be) the non-fiction book critic at the Washington Post. In the meantime, I'm an essayist and literary critic, a contributing editor at The Point and The Boston Review, and a PhD candidate (albeit one on hiatus) in philosophy at Harvard. I'm currently putting the finishing touches on an essay collection about maximalism, tentatively titled All Things Are Too Small, to be published by Metropolitan Books in the US and Virago in the UK. To keep up with my writing/rantings, subscribe to my substack here.

I hold a first-class MPhil in the history and philosophy of science from the University of Cambridge and a B.A., summa cum laude with high honors, from Dartmouth College, where I studied philosophy & German (and cultivated an enduring distaste for fraternities). These days I live in Cambridge, MA, with this person, whom I love. 

As a writer:
I contribute essays, book reviews, and the occasional art review to publications like The New York Review of Books, The TLS, The Nation, The New York Times Book Review, The New Yorker, The Atlantic, Liberties, Bookforum, Art in America, The Baffler, and more. I am the winner of the first annual Robert B. Silvers Prize for Literary Criticism (see more here).
I'm also a two-time finalist for The National Book Critics Circle's book reviewing prize (2016 and 2018), and in 2017, I was a finalist for a National Magazine Award in the essays/criticism category (my nominated essay, "Ladies in Waiting," was subsequently collected in the 2017 Best American Magazine Writing anthology, available here). In 2018, my essay "Rhapsody in Blue" was included on the Notable Essays and Literary Non-Fiction list published in the 2019 Best American Essays anthology. When I write criticism, I write mostly about "world literature," especially Eastern European or German language literature with a Jewish bent, but I also review contemporary fiction sometimes. A few authors I especially love are Joseph Roth, Italo Svevo, Henry James, Henry Green, Heinrich von Kleist, Marie de France, Simone Weil, Antal Szerb, and Norman Rush. You can read my interview with the National Book Critics Circle here and my interview with Lit Hub for their Secrets of the Book Critics series here. My wonderful agent is Anna Sproul-Latimer of Neon Literary. (You can stalk her and her agency here.)

As a philosopher:
I am primarily interested in aesthetics (especially aesthetic value and its relationship to other types of value), the philosophy of love and sex, and the history of German philosophy, especially Martin Heidegger, although I have increasingly consuming secondary interests in political philosophy. In my second-year paper, "The Good, the Bad, and the Ugly," forthcoming in the British Journal of Aesthetics, I defend aestheticism, the view that aesthetic value is sometimes a partial grounds of moral value. (A draft is available upon request.) If I ever get around to writing it, my dissertation will be about some combination of the following: what it is to be a beautiful person, why evolutionary psychologists are wrong about human beauty, the ethics of exclusionary romantic/sexual/aesthetic preferences, and what role the state should play in ameliorating inequitable distributions of intimate "goods."

​I receive many emails asking for advice about graduate school applications. I have answered some frequently asked questions on this page.  As I note there, I do not consider myself an expert in how to write a successful graduate school application, and I urge all prospective grad students to consult resources online, as well as supervisors who have served on admissions committees, rather than me! 

Before the pandemic, I followed Hegel in regarding nature as geistlos, but now, like any good Heideggerian, I am a big fan of hiking. Here I am in the Berkshires, which I love
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I wrote about Hrabal for The New Yorker

11/19/2019

1 Comment

 
Some people speak like writers, but the Czech author Bohumil Hrabal writes like a talker. “I inhale images and then exhale them,” he once told an interviewer. It is fitting that much of Hrabal’s prose was heard before it was read: throughout the late nineteen-forties and fifties, when Hrabal worked as a clerk, an insurance agent, a travelling salesman, a stagehand, a foundry foreman, and a compactor of wastepaper in a recycling plant, he did not publish any of his eccentric stories in mainstream venues. Instead, he read them aloud to a handful of underground literati assembled in pubs. The few works he managed to have printed appeared only in samizdat. Read more here.
1 Comment
paul thomas wenzler
4/10/2022 10:51:23 am

OMG, you are just right for me! Your piece in the NYer on Shame, I was so moved by it that I'm stilling discovering what's there and I keep going back to reread it. What a quandary this shame is. I've got a lot of questions I could ask you but did you know shame is the first big issue in the Bible? Shame is an experience of the consequence of division. What's interesting is to ask of its opposite, what's that? That's dignity, wholeness. What's missing in all the discussion that's long been going on is the question of "what is going on?" It's a mystery, according to the religious people, though it's not. It's just that the people who are keeping the records aren't being truthful and they're waiting for the "dead" to come alive. But they don't know, cause they don't know. The solution, look at the Bible and tell the truth. I got a piece for you to read, if you might or will. It's called the Ten Commandments. By the way, did you study RG Collingwood? I loved his books. I'm a carpenter, 77 years old, and feel like I'm truly about to wake up. Best Wishes to you, paul

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